• PROJECTS AND EXHIBITIONS
    • Virgo
    • Inmeridiem
    • The Museum
    • The Last Question
    • Third Crescent
    • SOLIDS
    • Domain of Things
    • The Tristan Chord
    • The Chariot of Greenwich
    • Major Seventh
    • 23:52
    • Sleipnir
    • The Moon Will Teach You
    • The Voice of Jacob at Dawn
    • Pleasure
    • The Great Learning
    • The History of Velocity
    • The Kinetoscope of Time
    • ISLANDS
    • The Common Ancestor
    • First Topographies / First Geometries
    • Aphelion
    • Object to be Destroyed
    • The Maelstrom Observatory
    • Vimana Kiranaavarta Observatory
    • Los Cecropias
    • Anytime Now
    • Birds
    • Mitre Marrows / Dublett
  • .
  • .
  • About
  • .
  • Lecture-Performance Series
  • Press and Publications
  • Texts
  • .
  • Current and Upcoming
    • .
    • Zilberman Gallery Miami / Solo Exhibition, April 11, 2024
    • .
    • MIT_List, Cambridge MA / Solo exhibition, Feb 2025
    • .
  • Menu

Pedro Gómez-Egaña

  • PROJECTS AND EXHIBITIONS
    • Virgo
    • Inmeridiem
    • The Museum
    • The Last Question
    • Third Crescent
    • SOLIDS
    • Domain of Things
    • The Tristan Chord
    • The Chariot of Greenwich
    • Major Seventh
    • 23:52
    • Sleipnir
    • The Moon Will Teach You
    • The Voice of Jacob at Dawn
    • Pleasure
    • The Great Learning
    • The History of Velocity
    • The Kinetoscope of Time
    • ISLANDS
    • The Common Ancestor
    • First Topographies / First Geometries
    • Aphelion
    • Object to be Destroyed
    • The Maelstrom Observatory
    • Vimana Kiranaavarta Observatory
    • Los Cecropias
    • Anytime Now
    • Birds
    • Mitre Marrows / Dublett
  • .
  • .
  • About
  • .
  • Lecture-Performance Series
  • Press and Publications
  • Texts
  • .
  • Current and Upcoming
    • .
    • Zilberman Gallery Miami / Solo Exhibition, April 11, 2024
    • .
    • MIT_List, Cambridge MA / Solo exhibition, Feb 2025
    • .

 

Selection of texts

Aaron Schuster — Where it Points. Masturbation and Invention

Natasha Ginwalla — On Automatons, Velocity and an Observatory by the Indian Ocean

Tominga Hope O’Donnell —Echoes of the Past, Pedro Gómez-Egaña enters the Oslo Opera House

Rhea Dall — Time and Time Again

Suad Garayeva-Maleki —Sleipnir (interview)